Kickstarter

Kickstarter Beginnings

In 2014 I was building a portfolio geared towards children's books. I found the 1830s original version of The Little Mermaid and wanted to adapt it myself to practices more narrative pieces and add work to my portfolio. I ended up dropping the project since it was so dark. Now, 3 years later I'm pulling that old folder from my external hard drive. The tone of the story is perfect for the work I love doing now. I thought it would be a perfect story for my Kickstarter. I gave a lot of thought about my work and my self this past week at Illuxcon. And I know that this is the right project because it's something I'd want to do regardless of making money. 

#MerMay
Part of my push to do this story was also attributed to when I explored full figure narrative pieces with chalk pastel and chalk pastel pencils during May 2017 for #MerMay. I was trying to work with this media at no larger than 9"x12". I think there was some success here. However, I feel I'll likely work larger for the book. It's more obvious what media I'm using with these pieces due to the small size. I think there is more of a mystery to the process when I work at a more comfortable size and I like that. That may mean some reeeeally big chalk pastel pieces, which is fine by me. 

Student Work
Below is my old process work from 2013 as a student. You can tell I was a bit wet behind the ears still (pun intended, hahahaha.) I did have a successful piece, which is the first image. It was a combination of a scanned drawing, a scanned chalk pastel texture, and a lot of digital work in Photoshop. I played with this technique for a while, but decided I hated grueling away at a computer screen. I eventually exclusively worked with chalk pastels soon after and you can learn more about that in an interview I did in 2016.